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Certain artistic projects are steeped in an air of reverence from the moment of their conception. So it is with Sir Andras Schiff's "The Last Sonatas," a three-part exploration of the three final sonatas written by the four quintessential composers of the Classical era: Haydn, Mozart, Beethoven and Schubert. (Washington Performing Arts presented Part 1 here in March.) The very idea is permeated with the air of the elegiac, of lost perfection, channeled by a performer who sometimes seems to move ...
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